Commit Graph
374 Commits
Author SHA1 Message Date
Matthew Jackson d4a32d3a26 Every parser now carries provenance, on the one shared buffer
dts, ac3 and truehd assembled access units across PES packets with three
private implementations of the same bookkeeping, and none of them carried
the source byte offset. They now hold a PesBuf, so a unit takes the
timestamp AND the source of the packet covering its first byte, from the
same mark, and no codec can answer that question its own way again.

dts is the reference case: its pts_marks already implemented the rule
correctly, and all 61 of its existing tests -- including the PTS
attribution ones -- pass unchanged on the shared type. That is the
evidence the type preserves the behaviour dts had right.

ac3 kept a single carry-over timestamp and one anchor offset, so it could
only attribute the first unit in a call; it now resolves each unit at its
own offset. truehd had no attribution at all beyond a running clock.

New tests cover the case that motivated this: a unit whose first bytes
arrive in one packet and whose remainder arrives in the next keeps the
FIRST packet's offset. At a clip seam those two packets belong to
different clips, and taking the later one places the audio in the wrong
one.

Clippy on the pinned toolchain caught an empty `if` block left where dts
used to clear stale marks -- restored as an explicit clear, with why it
is still needed once drain keeps the covering mark.
2026-08-07 07:45:32 -07:00
Matthew Jackson 813edd0965 One rule for which packet a unit's facts come from
A parser that assembles an access unit across PES packets has to answer
one question for every unit it emits: which packet carried this unit's
FIRST byte? Its timestamp comes from that packet, and so does the source
byte offset that says which clip of a multi-clip title it belongs to.
The packets that complete the unit carry later values that must not
override it.

That question was being answered three ways. DTS kept a deque of
(offset, pts) markers and took the one covering offset 0. AC-3 kept a
single carry-over timestamp. TrueHD kept its own. PGS and DVD subtitles
each held a pending unit with just a start time. None of them carried
the source offset at all, which is why provenance existed only for video
and why nine audio and subtitle tracks on a branched title had nothing
to place them by.

So it lives in one place now. PesBuf owns the bytes AND the marks;
PesFacts returns a packet's timestamp, source and discontinuity
together, so a parser cannot take one from one packet and another from
the next, because it does not assemble them itself.

The type answers WHICH packet. How a codec reads a timestamp out of that
packet stayed the codec's business at first, and that turned out to be
the same drift one level down: dvdsub read pts alone and returned 0 for
a packet carrying only dts, while everything else took pts.or(dts). Now
there is one derivation. It is not a choice between two fields — for
audio and subtitles there is no reordering, so dts IS the presentation
time and reading it is reading the same value from whichever field the
packet used. Reordering video never calls it; that path reconstructs
display order instead.

Migrated: adts, pgs, dvdsub. dts, ac3 and truehd follow.
2026-08-07 07:19:58 -07:00
Matthew Jackson b16eacd6b4 Restore the refusal: only the video parsers carry provenance
Accepting a table whose marks do not advance was wrong, and a real
22-clip title showed exactly how. The rip failed the drop-volume gate at
84 percent with more frames dropped than kept.

The cause is a fact the code never stated: provenance is VIDEO-ONLY.
Every audio and subtitle parser -- dts, ac3, adts, truehd, pgs -- builds
its frames with `source: None`, while hevc, h264 and vc1 propagate it.
So on that title the video track placed correctly by byte offset and
nine audio and subtitle tracks arrived with nothing to place them by.

The branch added to keep an unprovenanced frame from stranding did the
stranding itself. It held such a frame on its track's current clip,
reasoning that the cursor only ever advances under provenance and so
could not be wrong -- which is true only for a track that eventually
receives some. A track that never receives any stays pinned to clip 0
for the whole title, and every frame past clip 0's OUT mark is dropped.
That is what the disc showed: nine tracks pinned to clip 0, the first
drop nine milliseconds past its OUT.

So the refusal goes back, now with the real reason recorded, and the
test asserts it rather than asserting the behaviour that failed.

Lifting it needs the audio and subtitle parsers to carry provenance
first, stamped from the PES that STARTED each access unit -- the same
rule au_assembly already applies to video. The diagnostics that found
this are kept.
2026-08-07 03:21:21 -07:00
Matthew Jackson 776a4fd6eb Say which frame and which marks caused a provenance drop
The heuristic path has always logged its first drop per track with the
frame's timestamp and the clip marks it was judged against. The
provenance path did not log at all, so a title that dropped MOST of its
frames there failed the volume gate without a single line saying which
frame, which clip, or which marks — a full-length rip produced zero drop
events and an error, which is not a diagnosable failure.

Also pins the all-identical-spans hazard as a test. Every PlayItem
referencing one clip file gives every clip the same span, which passes
the tiling check and is therefore "trusted" while carrying no
information at all about which PlayItem a byte belongs to. That is not
what the discs on hand do — theirs have one distinct span per clip — but
the check conflates "the spans tile" with "the spans distinguish", and
only the second justifies placing a frame by its byte offset.
2026-08-07 03:05:32 -07:00
Matthew Jackson a0f76a4f18 Say how many DISTINCT feed spans a title's clips share
A seamlessly branched title re-references one clip file from several
PlayItems with different mark ranges, and those references share a single
feed span because the bytes are read once. A byte offset alone cannot
then tell them apart.

Whether that is happening on a given title is the fact that decides
whether provenance can identify a clip on its own, and it was not
observable. distinct_spans < clips says it directly.
2026-08-07 02:45:57 -07:00
Matthew Jackson afa0a213d6 Say which placement strategy a title got
Whether a title was placed by the seam plan or fell back to inference is
the single most useful fact about a branched rip, and it was invisible.
The two looked identical in the output, so telling them apart meant
rebuilding and re-ripping — which is exactly what it cost to find that
most branched discs were silently on the inference path.

Log both flags once at plan construction, and log each refusal with the
reason that caused it.
2026-08-07 02:01:47 -07:00
Matthew Jackson e5f92e591a Place a restarting-clock playlist by provenance instead of refusing it
A playlist whose clips each restart their own STC has marks that all
cover the same low values, so they are not points on one title-wide
clock. from_clips refused those tables outright and fell back to PTS-jump
inference.

That refusal predates provenance, and it is only about inference. With
the feed spans tiling the title the clip comes from the frame's byte
offset and the marks are never read across clips: each clip's offset_ns
maps its own private clock onto the output timeline, which is exactly
the right operation for a restarting STC.

Refusing unconditionally therefore turned the seam plan off on most of
the branched discs on hand — the very titles it was written for. They
ran on inference with a timeline minutes past the title's real length:
one 2h29m title came out with its audio and video both spanning 3h15m.

So the refusal now applies only when the spans cannot be trusted, where
it is still load-bearing: without a usable clock or a usable byte offset
there is nothing to place with.

Accepting these tables opens one hole, and it is the same stranding the
refusal guarded against. A frame arriving with no byte offset would fall
through to the mark heuristics, which on this kind of table are
meaningless and can strand a track on a clip it has already left,
dropping the rest of the title. Such a frame now stays on its track's
current clip; the cursor only ever advances under provenance, which is
never wrong about which clip a byte came from.
2026-08-07 01:17:04 -07:00
Matthew Jackson 79dbb2cf84 Resolve a frame clip by binary search, not a linear scan
The provenance lookup runs once per frame per track. A linear scan over the
clip list is fine for the 11-PlayItem fixture and is not fine for the real
hoard: two discs there carry 900 PlayItems in one title, and several carry
250-450, so a scan would be hundreds of comparisons on every one of millions of
frames.

spans_trusted already guarantees the spans tile the feed contiguously and in
order, which makes this a partition point. A repeated clip reuses its first
reference span, so the search walks back to the FIRST entry sharing it — the
bytes are read once, so the material is emitted once, at that entry offset, and
the answer is stable regardless of which duplicate the partition lands on.

Also adds a test at the real 900-clip scale: every clip places, output stays
monotonic across all 900, an arbitrary byte resolves to the right clip out of
ascending order, and a byte past the end belongs to no clip.
2026-08-06 23:22:38 -07:00
Matthew Jackson b9ca75f471 Identify a frame clip by provenance, not by inferring it from timestamps
Four audit rounds each fixed one rule in SeamPlan::place and broke another,
because the question the rules were answering has no answer. Inside a
seamless-branching overlap clip k OUT comes AFTER clip k+1 IN — 57.8s of
overlap on the real fixture table — so a single timestamp is legitimately
inside two clips, and a clip file is not trimmed to its marks, so it also
carries material from before its own IN. No rule over timestamps can say which
clip a frame came from, and each attempt was right for one disc layout and
silently wrong for another: 65s of rewind, 17 minutes stranded, 28 minutes
dropped, 55s refused.

Frames already carry the byte offset they were read from (PesFrame::source,
stamped by the TS demuxer). Clip now carries the byte span its stream occupies
in the title feed, recorded while the extents are gathered. So the clip is a
LOOKUP: the offset falls in exactly one span. There is no decision to get wrong.

Every track of a clip lives in the same stream file and therefore shares one
span, so video, audio and subtitles agree by construction. Divergence between
them — each track guessing separately under its own tolerance — is how audio
and video ended up on different clips and drifted apart in the first place.

spans_trusted gates the whole path: unless the spans tile the feed contiguously
from zero, an offset means nothing and provenance is ignored in favour of the
mark heuristics, which is the 1.6.0 behaviour. A broken map degrades instead of
confidently selecting a wrong clip for every frame. A clip referenced twice
reuses its first span (the bytes are read once) and is still trusted.

Sources that stamp no provenance — a mkv:// remux, the deserialize hop — take
the heuristics, which is what they have always used and where they have always
been right, because they have no overlapping clips to be ambiguous about.

36 timeline tests, six of them new and covering: the overlap case marks cannot
see, all tracks agreeing, out-of-marks material dropped AND counted, a holed
span map, a discontiguous one, a repeated clip, and no provenance at all.
2026-08-06 23:08:13 -07:00
Matthew Jackson c3e82f28b5 Enforce the no-rewind invariant instead of guessing at clip crossings
Round 7 enumerated the state space of SeamPlan::place and found three more
holes in the mark heuristics — the third consecutive round to find a defect
here, each time in the guard the previous round added:

- a clip file opening ON its own IN mark, after a tail frame past the previous
  clip OUT had already advanced the cursor, read as another crossing and jumped
  a clip too far: 28 minutes of clip 6 dropped;
- the last clip was unguarded entirely (`clip + 1 < len` skipped the check), so
  the 9->10 seam rewound 75.6s with dropped_total() at 0 — the exact round-5
  signature, reachable without any corrupt input;
- a glitch mid-clip satisfies "inside the current clip", so the round-6
  stranding survived for the rest of that clip.

Three patches to the same heuristic, three wrong in a new way. So stop patching
it. Everything above the placement is still heuristics over marks, but the
property they exist to serve is now checked DIRECTLY: a track output must not
run backwards. A placement that would rewind by more than
DISCONTINUITY_BACKSTEP_NS is refused; the scan then looks for a LATER clip
containing the frame that does not rewind, which is exactly what a genuine
overlap crossing looks like; and if none exists the frame is dropped and
counted, because emitting it anywhere moves the track backwards.

The tolerance is the backstep constant because B-frame reorder legitimately
emits out of order by a fraction of a second, while a rewind that matters is
orders of magnitude larger.

The cursor moves ONLY when a later clip actually accepts the frame. My first
version of this advanced on a failed search, which strands a track exactly as
before — caught immediately by the round-6 regression test.

All 29 previous timeline tests still pass, including
continuity_preserves_forward_gap. The three round-7 scenarios now have a test
each, with the real 00801.mpls numbers.
2026-08-06 12:31:23 -07:00
Matthew Jackson 6b67c52249 Round 6: a large backstep only crosses when it would be misplaced
The round-5 fix advanced the clip cursor on ANY backward step over 3s. That
also fires for a corrupt PTS, and for a legitimate STC discontinuity inside one
clip — and nothing moves the cursor back, because a forward step matches
neither past_out nor stepped_back. Every later frame then sits below the new
clip IN and is dropped: on the fixture table that is ~17 minutes of one track
gone, and the only volume gate compares total drops against ALL tracks frames,
so it exits 0.

The branch now also requires the frame to be INSIDE the current clip marks,
which is the only case that would otherwise be silently placed at the old
offset — the rewind. A frame outside them needs no help: the containment check
drops and counts it, the cursor stays put, and the next good frame is placed
normally. Both behaviours have a test, each confirmed to fail without the guard.

Separately, the dir:// PES input path scanned the folder and never applied the
encryption verdict scan_dir exists to produce, so the same folder ripped
through one door and failed through the other asking for a key it does not
need. That logic now lives in one function, session::apply_folder_encryption_verdict,
called by both.
2026-08-06 11:02:48 -07:00
Matthew Jackson 7deacf1761 A clip join must never rewind the output timeline
A hole in the seam fix itself, found in audit round 5 and confirmed by
measurement against the real 00801.mpls marks already in the test file.

Nothing upstream trims a clip stream to its marks, so a clip file can open with
material from BEFORE its IN. With the cursor on clip 5 (7708.99..7910.79) a
frame at 7845.00 — clip 6 pre-mark lead-in, 8s below clip 6 IN of 7853.00 —
sits further from that mark than the 250ms tolerance, so neither crossing rule
fires. The cursor stays on clip 5, and 7845.00 IS inside clip 5 range, so the
frame is PLACED with clip 5 offset.

Measured: output went from 3714.51s to 3649.51s. Backwards 65 seconds, with
dropped_total() still 0 — no counter, no gate, nothing noticed — while the
whole 57.8s overlap band was emitted a second time over clip 5 written tail.
That is the collide-and-flatten symptom this type exists to remove.

A track own PTS only ever runs forward inside a clip, so a backward step larger
than DISCONTINUITY_BACKSTEP_NS is always a clip change. Such a frame now
advances to the first clip that could contain it — which terminates on its own,
rather than running to the end of the list, which is what the next_in bound
exists to prevent — and a frame still below that clip IN is material the
playlist excludes, so the containment check drops and COUNTS it.

All 27 pre-existing timeline tests still pass, including
continuity_preserves_forward_gap, which is the one that catches an over-eager
heuristic here. The new test asserts the output never moves backwards at a
join and was confirmed to FAIL before the fix.
2026-08-06 09:20:39 -07:00
Matthew Jackson 47789f71bc Test the demux seam gates too
The same gap as the MKV muxer: DemuxSink builds its timeline with
TimelineContinuity::with_clips, but no test ever handed it a title carrying
usable PlayItem marks, so frames_mapped and dropped_total() were always zero
and both gates in finish() were unreachable.

Deleting either left the whole suite green while a demux:// export of a
seamless-branching title wrote a directory of zero-byte track files beside a
populated chapters document and reported success at exit 0.

The test gives the title two clips with marks that exclude every frame, and was
confirmed to FAIL with the gate removed.
2026-08-06 09:05:30 -07:00
Matthew Jackson c31d9fc88e Test the seam gate that stops a drift-broken title being skipped
Audit finding: both seam gates in MkvMuxer::finish were dead code under test.
set_clips was never called anywhere in the suite, so continuity.dropped_total()
was always zero and neither branch could be reached.

The ordering of the two zero-frame checks is load-bearing and the comment says
so: a title the seam plan emptied also has a zero frame count, and MkvInvalid
is classified by is_skippable_title_stub as an empty nav/menu stub — so
reporting it that way makes an all-titles rip drop a real feature and finish the
rest at exit 0. Swapping the checks left the entire suite green.

The new test builds a two-clip plan (from_clips needs at least two, strictly
increasing) whose marks exclude every frame, and asserts both that the error is
SinkWroteNothing and that it is NOT classified as skippable. Confirmed to FAIL
with the two checks swapped.
2026-08-06 08:45:58 -07:00
Matthew Jackson 6d9791affc Audit round 1: playback order, silent title drops, image durability
Four fixes from the first audit round. Every finding was verified against a
pinned tree and read directly before being accepted.

resolve_vts_key sorted a VTS title-VOB extents largest-first. That is the 1.5.1
garbage bug, and it grew back in a new code path: the comment claimed it
"matched the scan heuristic", but that heuristic WAS the bug and had already
been fixed in decrypt_keys_for_title, which documents the rule (PLAYBACK ORDER,
never largest-cell-first) and pins it with a regression test. A CSS DVDs biggest
cell opens with a long clear run and crack_key shares one sector budget across
the extent list, so starting there can exhaust it without ever MEETING
scrambled data — and CSS recovers the key from scrambled data itself. The crack
then returns None, the caller falls back to the disc-wide key, and every VOB in
that VTS is descrambled wrongly: corrupt PES behind an intact header, written
out as a complete extract at exit 0.

parse_pgcit dropped titles silently in THREE places — an unparseable PGC, an
out-of-range PGC index, and a truncated entry table. The finder caught one; the
other two turned up on reading the function. parse_vmg already counts and warns
per skipped title SET for exactly this reason, and this was the last place a
disc could quietly report fewer titles than it has.

write_image called flush() and returned Ok. flush() only pushes bytes into the
page cache and promises nothing about durability, so a 6-90 GB image could be
reported complete while still unwritten — a crash or an unmounted volume then
leaves a truncated file the caller was told was finished. Now into_inner (so a
buffered-write error surfaces instead of being dropped by BufWriter::drop)
followed by sync_all.

timeline used abs() on a saturating_sub result. Every other comparison in that
module is saturating because the timestamps come off a disc and are not
trusted; abs() panics on i64::MIN, which saturating_sub can produce.
2026-08-06 07:11:52 -07:00
Matthew Jackson 35c5eedc20 Round 5: fix the gates added in round 4, and two placement holes
The zero-frame check ran before the seam gate, and its error is
classified as a skippable nav stub — so a title the plan dropped
ENTIRELY was reported as an empty stub and an all-titles rip would omit
a real feature and finish the rest at exit 0. The seam case is decided
first now, with a code that is not skippable.

The demux sink read a frame's track kind out of the FILTERED slot, which
is empty for a class the export drops. On an audio:// or sub:// export
the video track was therefore called non-video and handed the permissive
crossing rule — the same defect round 4 fixed for a Dolby Vision layer,
reintroduced one file over. Video tracks are now recorded before the kind
filter, beside the primary-video reference that exists for this reason.

Its frame counter counted frames PLACED, not written, while its name and
doc claimed otherwise. Renamed and documented for what it is, including
that it cannot see a single lost track among many.

Placement: files in a subdirectory of VIDEO_TS were never given data.
They were declared at full size with no extents, so they appeared in the
tree and read as nothing. The same folder under BDMV was always placed
correctly. And the duplicate title-set guard keyed on the constraint maps,
so an IFO declaring no offsets inserted nothing and a colliding second IFO
went undetected — it keys on the groups seen now.

Display for SeamPlanDroppedMost and ShortImageRead discarded their
payloads, and four new variants were missing from the code-uniqueness
test.
2026-08-05 18:40:14 -07:00
Matthew Jackson 0f61be00b7 Make the drop count gate the verdict, not just the log
Round 3 counted frames the clip marks excluded and reported them at
finish. Counting is not bounding: the only other gate was a global
zero-frame check, and its error is additionally classified as a skippable
nav stub, so a title whose marks do not line up with its PES clock could
discard almost all of itself and still exit 0 — a two-hour feature
emitting seconds, which is the defect this change set already shipped
once. Dropping more than was kept is never a real join, so it now fails.

The demux sink had no zero-output guard at all, so a fully-dropped title
finished cleanly: a directory of zero-byte track files beside a populated
chapters document. It now refuses, keyed on frames having been OFFERED —
a chapters-only export, or a track class the title does not carry,
legitimately writes none, and two existing tests correctly said so.

A title set's placement group is the parsed number, so VTS_01_0.IFO and
VTS_1_0.IFO land on one key and the second silently overwrote the first's
constraint, placing a VOB where the IFO the reader uses does not point.
Refused rather than resolved by arrival order.
2026-08-05 18:25:47 -07:00
Matthew Jackson f4fb5c65e0 Key the seam-crossing rule on reorder, not on driving epochs
A Dolby Vision enhancement layer is a second video track: it does not
drive epochs, but it does carry B-frame reorder. The crossing rule was
keyed on driving epochs, so the EL took the branch whose premise is that
the track has no reorder — and its ordinary reorder dip near the end of a
clip, which during an overlap also lands inside the next clip's range,
was read as a join. The EL was then placed on the next clip's offset, out
of step with the base-layer frame it must be co-timed with by the width
of the overlap: the same desync the per-track cursor was added to remove,
reintroduced for one track.

The property the rule actually depends on is whether a backward step can
be reorder, so it is now keyed on that. Both sinks derive it from the
track kind rather than from the epoch driver.
2026-08-05 17:52:13 -07:00
Matthew Jackson c8fafec393 Keep the seam plan to Blu-ray, and stop a missed crossing truncating a title
Two findings from the same escalation, both silent-wrong-output.

The plan was built for every multi-clip title. Only a Blu-ray PlayItem's
IN/OUT are positions in the clock the PES PTS runs on. HD-DVD fills the
same fields from the XPL's title-relative times and a DVD's come from
cell tables, so a plan built from them is an identity map with a drop
filter: it suppresses the layer-break rebase inference performs, and
drops whatever falls outside marks the PTS was never measured against. An
earlier reading of this called HD-DVD safe because its marks are
contiguous and every computed offset was zero — true, and irrelevant,
because they were zero in the wrong clock. Gated on the content format,
with a test using an HD-DVD-shaped table that the clock check alone
accepts.

The crossing test was also one-shot. A table whose clips restart their
own bases could miss it, and a missed crossing STRANDS the track: every
later frame falls outside the stranded clip's marks and is dropped for
the rest of the title. Counting drops, which is all the previous round
added, does not bound them. A table that is not one advancing clock is
now refused outright and falls back to inference, which is the documented
safe path for those titles.

Also from the same round: read_sectors added an unchecked lba + i, where
callers deliberately saturate their LBAs — a wrap folds the read back to
a low sector and hands the muxer another file's bytes. classify added 1
to two numbers parsed verbatim out of a filename. read_head used a single
read() where a short read on a network mount silently records no
placement constraint at all. And the page-cache eviction added last round
released only the read that crossed its threshold rather than everything
accumulated, so seven eighths of what was read stayed pinned.
2026-08-05 17:31:43 -07:00
Matthew Jackson 60d9cc1bac Audit round 2 fixes: an unsafe default, four omissions, and two swallowed errors
The folder encryption probe returned "not encrypted" when it had sampled
nothing at all — a title shorter than one aligned unit skipped the loop
entirely. That verdict CLEARS the structural one an AACS directory
raised, so a genuinely encrypted folder would have been ripped as clear
and written ciphertext as video at exit 0. With no evidence it now keeps
the structural verdict, and its bounds arithmetic no longer trusts
disc-derived values not to wrap.

Reading an IFO header swallowed every I/O error and returned an empty
buffer, which sent each placement offset through unwrap_or(0) and
recorded no constraint at all — a permission error on one file produced a
silently misplaced VOB. The directory walk swallowed the same class while
claiming to skip only vanished files. Both now propagate; only NotFound
is skipped.

Four things the round-1 changes left inconsistent: two new error codes had
no doc comments, were absent from the io::Error mapping, printed no path
in Display, and were missing from the test that proves codes are distinct.
The demux sink dropped frames silently while the MKV muxer reported them.
And set_clips had been inserted INTO write_frame's doc comment, leaving
write_frame undocumented and its paragraphs describing the wrong function.

uid/gid used 0 as "not specified"; UDF's sentinel is 0xFFFFFFFF, and 0 is
root.
2026-08-05 17:16:03 -07:00
Matthew Jackson ffbc1d8399 Audit round 1 fixes: sparse-track joins, silent drops, and two encoder wraps
A sparse passive track — a subtitle with no event near a clip's mark —
was held to the dense-video crossing window, so it stayed on the previous
clip's offset until its PTS passed that clip's OUT and every event in
between was mistimed by the overlap. Video keeps the tight window,
because its backward steps are also B-frame reorder; passive tracks have
no reorder, so any backward step into the next clip's range is a join.

Frames the marks exclude were dropped without a trace. Dropping is right
at a join, but this codebase has shipped complete-looking wrong output
before, so the count is kept per track and reported when the mux
finishes, alongside the pre-cluster counter that exists for the same
reason.

A File Identifier Descriptor records its name length in one byte, and the
length was narrowed with a cast: a 255-byte name — POSIX NAME_MAX,
entirely ordinary — encodes to 256 and wrote zero, which would read every
later entry in that directory from the wrong offset. A directory's link
count is 16 bits and was computed as 1 + subdirectory count, which the
global entry cap alone permits overflowing. Both are refused while
planning, where the tree can still be rejected cleanly.

The module and struct docs described inference as the whole algorithm;
they now say which path decides what.
2026-08-05 16:58:49 -07:00
Matthew Jackson 3090314717 Cross a clip join per track, not on the video's frame
The first cut placed every track with the cursor the video had moved. At
an overlap join the previous clip's audio is still arriving after video
has crossed, and those tail frames sit inside both clips' mark ranges —
so they took the new clip's offset, jumped forward by the overlap, and
collided with the new clip's own audio, which the muxer's monotonic nudge
then flattened. A remux confirmed it: the timeline length was already
correct and the original symptom was still there, 169 audio packets on
the tick floor.

A track's PTS only runs forward inside a clip, so its own backward step
to the next clip's IN is its crossing. That is per track, so the cursor
is too.
2026-08-05 15:46:40 -07:00
Matthew Jackson ce246a1c87 rustfmt the seam-plan tests
Line-wrapping only, no behaviour change.
2026-08-05 15:28:40 -07:00
Matthew Jackson 617532e6ff Merge branch 'fix/mpls-seam-timeline' into dev 2026-08-05 15:24:37 -07:00
Matthew Jackson dfd2f023d0 Place Blu-ray clips by the playlist's marks, not by guessing at PTS jumps
A seamless-branching title's PlayItems do not chain contiguously: one
clip's OUT can sit after the next clip's IN, where the disc stores the
join twice, or before it, where the playlist skips material. The mux
never saw those marks — its own header said so — and inferred seams from
PTS jumps instead.

Inference cannot recover this. A forward jump is ambiguous: it means the
playlist skipped, or it means frames were lost to damaged media, and
compressing the latter would falsify timing on exactly the rips that most
need it faithful. An overlap smaller than the B-frame reorder threshold
is invisible to inference entirely, and its duplicate content then
collided in the muxer, where the monotonic nudge flattened a run of audio
onto the tick floor and put sound ahead of picture for the rest of the
film.

Measured on one 11-PlayItem title: the file declared 7893.385 s, which is
what the playlist says the title is, and carried packets to 8029.298 s.
Both numbers came from the same program on the same disc. Four skips
totalling 135.9 s became dead timeline, and a 1.79 s overlap put audio
1.8 s ahead at the half-hour mark. Five of forty-seven titles were
affected; every single-clip title was exact.

So the marks are read. Each clip contributes exactly out - in, laid end to
end, so the output runs as long as the playlist says and a join never
rewinds. Titles without usable marks — DVD, HD-DVD, file sources — keep
the inference path unchanged, and clips that already chain contiguously
produce a constant offset, which is pinned by a test.
2026-08-05 15:24:31 -07:00
Matthew Jackson bd2ba08bb7 Read a disc folder as an input: dir:// becomes a source
Users keep discs as extracted folders — a DVD VIDEO_TS or a Blu-ray BDMV,
usually a backup that is already decrypted. dir:// could only ever be a
destination, so those folders could be produced and never read back.

Everything above the sector layer wants a UdfFs over a SectorSource, and
every UdfFs read re-reads the ICB off that source at call time, so a
folder has to present itself as sectors. It does: dirimage plans a block
layout over the real files, encodes a UDF 1.02 filesystem for the
metadata, and serves data straight from disk. read_filesystem then parses
it exactly as it parses a disc, so nothing above changes — and the
iso:// arm of input() is now shared rather than duplicated, so dir://
inherits its decrypt gates, title selection and stream pruning.

The encoder is validated by more than its own reader: macOS mounts the
synthesized image and the mounted files compare byte-identical to the
originals. A round-trip through our own parser could not have shown that
— the tag CRC seeds at zero, and a wrong seed would satisfy us and no
real driver.

DVD placement is not free packing: a VTS IFO records where its title
VOBS begins relative to itself, so the VOB has to land exactly there.
Unsatisfiable marks fail loudly rather than misplace the file. 3D folders
are refused for now: the scanner detects SSIF and the planner cannot
alias its extents yet, so accepting them would produce quiet nonsense.

Left for later: metadata capture, HD-DVD, FMTS, encrypted folders.
2026-08-05 15:24:18 -07:00
Matthew Jackson 0d4aab99df Stop naming specific commercial discs in the AACS and codec comments
The same scrub as the previous commit, over the files it did not reach:
the variant-MKB layout notes, the 2.1 segment index observations, the
PPS-revert regressions and the playlist-twin tiebreak.

Measurements keep their numbers — "a v70 `0x2d` body = 46_100*2 + 16"
is the useful part, and the title it came from never was.
2026-08-02 17:10:43 -07:00
Matthew Jackson b93d10082d Merge branch 'fix/pgs-forced-probe-sampling' into dev 2026-08-02 17:07:47 -07:00
Matthew Jackson b68765fe84 Stop naming specific commercial discs in comments and tests
Fifteen references across six files named the discs a defect was first
seen on. The parser leak found earlier was not an isolated slip — the
same habit runs through the mux comments, the changelog and the AACS
content verdict, where a title name was standing in for the shape of
the problem.

Every one is replaced with the property that actually mattered: a
multi-clip title, a UHD Dolby Vision profile 7 dual-layer stream, a
disc carrying an authored-bad TS packet. The comments are more useful
for it — the reader needs to recognise the shape on a disc they have,
not the one we happened to have.

`SEG_MainFeature` stays: the parser matches on that literal, so it is
a format token rather than a title.
2026-08-02 17:00:10 -07:00
Matthew Jackson 28d5897b86 Apply the shape test to a mixed track too
A track that flags some of its own display sets and not others proves the
authoring house makes the distinction, so it needs no sibling to
corroborate the flag being in use -- but it still has to look like a full
dialogue track before a forced label is cleared. A small track with a
couple of flagged signs is a forced track, and demoting it is the mistake
the shape test exists to prevent.
2026-08-02 16:44:10 -07:00
Matthew Jackson 8ffce6b621 Sample PGS across the title instead of reading its head
The content-based forced-subtitle probe spent its whole 256 MiB budget
on the first sectors of a title. A feature's subtitles begin minutes in,
so the probe read the opening logos, hit the budget, observed no display
set at all and contributed nothing to any verdict — the vendor label was
always the only input.

The forced predicate is asymmetric: one non-forced display set disproves
forced permanently, while proving forced needs the whole track, and
genuine forced tracks are tiny where full tracks are huge. So the same
budget is now SPREAD over each extent in ~16 MiB windows placed on the
AACS unit grid, sized in proportion to the extent, ending at the extent's
end. Cost is unchanged; placement is not.

Also:

  * Per-track early exit. A track that is disproven (and whose label
    needs no correcting) stops asking for budget; an extent that owes
    evidence only for such tracks is skipped outright, and evidence
    already in the cache is never demuxed a second time.

  * Content may now DEMOTE a wrong vendor forced flag, in the probe and
    in the muxer, behind one shared guard: absence of forced_on_flag
    only means something if some other track demonstrably uses it, and
    the track must have the shape of a full dialogue track rather than
    of a forced-narrative one. On a disc where no track sets the flag,
    nothing is demotable.

  * A sampled or budget-cut extent's evidence is memoised with the
    COVERAGE behind it. It used to be filed under the extent's full key
    and replayed to playlists that would have read far more of the clip,
    turning a prefix into an absence claim about the whole extent.
2026-08-02 16:07:02 -07:00
Matthew Jackson cf7ee69fd5 Record the source, not the destination, in the FVI header
The `fvi://` arm of `output()` passed the destination `.fvi` path as
`FviSink::create`'s `source_path`, so every index named itself as its
own source. `SourceInfo::default()` supplied the rest, making
`source.medium` always "file" and `source.title` always 0 — three
header members wrong, where FVI_FORMAT.md §6.2 defines `source` as
describing the input.

Beyond the wrong data, it made the output unreproducible: two machines
indexing identical bytes emitted different files purely from where
they wrote them, and a local filesystem path leaked into a shareable
file.

`output()` cannot see the source, so thread the provenance down from
the driver, which can: `mux_stream` derives a `SourceInfo` per
`MuxInput` arm and passes it through `drive_mux` to `output()`. Per the
one-method-per-action rule this is a signature change, not an
`output_with_source()` variant; the parameter is `Option<&SourceInfo>`
so a caller with no provenance declares none rather than back-filling
the destination. `SourceInfo`/`Medium` become public API.

What each arm can honestly reach:

- Session: everything — device path, the caller's title index, the
  title's playlist, the scanned volume id.
- Url: the source URL, its scheme's medium, `title_index`, and the
  playlist off the opened stream's scanned title.
- Iso: the image path and playlist. The title index is not in
  `MuxInput::Iso` (it carries a scanned `DiscTitle`, which has no
  index), so it stays 0.
- Live: medium and playlist. The reader is an opaque
  `Box<dyn SectorSource>` with no path, and again no title index.

Unreachable members are left empty rather than guessed — the sink
already omits the empty ones.
2026-08-02 11:19:54 -07:00
Matthew Jackson e008e71a17 Add the missing direct coverage for parse_stss
Every other sample-table parser (stco, stsc, stts, ctts) had a "count lie"
test proving the declared count is bounded by what the box actually holds,
and stco/stsc had their own arithmetic pinned. parse_stss had neither - no
test in this file ever called it with real entries, only with a too-short
buffer. Added the same two: two distinct entries read from their own
offsets (catching the o = 8 + i*4 arithmetic and the per-entry bounds
check), and a declared count of 3 backed by only 2 real entries (catching
the same "trust the box, not the count" contract the other four parsers
already had).
2026-08-01 16:37:10 -07:00
Matthew Jackson c59e1e3342 Pin the sample-table parsers' short-buffer safety and byte arithmetic
parse_stco, parse_stsc, parse_stts, parse_ctts and parse_stss all open with
the same "if b.len() < 8" guard before reading count = be32(b, 4), but no
fixture anywhere in this file ever called any of them with a buffer shorter
than 8 bytes - every test builds a complete box. A <-to-== mutant of that
guard only rejects a buffer of EXACTLY 8 bytes and lets everything shorter
fall through to an out-of-bounds be32 read, and nothing was exercising that
fall-through to notice. One test now drives all five through every length
from 0 to 8.

Also: co64's 8-byte offsets were never actually built by any co64 fixture
in this file (only the 32-bit stco path was exercised), so its manual
byte-by-byte u64 assembly was unconstrained the same way parse_elst's was.
And sample_offsets's sidx only advanced correctly by coincidence in every
existing fixture, because none of them placed three or more samples in a
single chunk back to back - the only shape where reusing the wrong sample's
size becomes observable.

Documented the <=8 boundary as equivalent across all five parsers (and the
matching start < end in sample_offsets): the per-entry guard immediately
below always breaks on the first entry at that exact boundary, so both
branches converge on the same empty result. Confirmed by re-running each
mutation against the full suite.
2026-08-01 16:33:17 -07:00
Matthew Jackson 39d9714ae7 Pin parse_esds_asc's two independent boundary checks
asc_len == 0 and end > b.len() reject for different reasons - a useless
zero-length ASC, and a truncated one - and nothing distinguished the || from
an && that would only reject when both are true simultaneously, or the >
from a < that would reject the common case of an esds with bytes after the
ASC (more child boxes, padding) instead of only a genuine truncation.

Documented the | in read_descriptor_len's accumulator as the same
shift-then-mask equivalent already recorded in audio.rs's BitReader::read:
the shift always vacates exactly the bits the mask fills, so | and ^ can't
disagree.
2026-08-01 16:23:10 -07:00
Matthew Jackson dd940583c7 Pin mdhd_language's length boundary and three unasserted stsd codec paths
mdhd_language's guard was written as "b.len() < off + 2" (reject too short)
but nothing distinguished that from "reject anything not exactly off + 2" -
a buffer one byte longer than the minimum has to keep working, and a buffer
missing the field entirely has to return None rather than read past the end.

parse_stsd's mp4a path had no test at all: the AAC codec_private extraction
depends on both codec == Aac and body.len() >= 28 being true together, and
with no mp4a fixture anywhere in this file neither half of that condition,
nor the boundary itself, was constrained. Also added the same header-length
boundary check parse_elst already had (< 8 vs <= 8 - proved equivalent this
time, since the very next guard on the empty slice catches the <= 8 case
too), and one test walking every recognised audio fourcc (ac-3/ec-3/mp4a/the
four dtsX variants) so a deleted match arm for any of them fails loudly
instead of silently dropping that track.
2026-08-01 16:18:20 -07:00
Matthew Jackson 4b7e4ddbb3 Pin find_boxes_capped's cap boundary and its size-field byte offsets
Nothing asserted the scan actually STOPS at cap rather than one match past
it, or that the declared box size is decoded from its own four bytes rather
than an adjacent one - every existing fixture used sizes small enough that
all but the last size byte are zero, so an index slip reading the wrong byte
would read the same zero and go unnoticed.
2026-08-01 16:08:11 -07:00
Matthew Jackson 5222458411 Pin Stream::read's MAX_ALLOC_BYTES boundary and that write always rejects
Stream::read has its own s.size > MAX_ALLOC_BYTES cap, a separate call site
from read_moov's over the same policy - checked they agree (both reject
strictly greater than the cap, exact cap allowed) and they do, so this is not
one of tonight's one-policy-two-copies bugs. But the boundary itself and the
one-byte-over case were unasserted, and Mp4Reader::write returning an error
(mp4:// is read-only) had no test either.

Building Mp4Reader directly in the test (its fields are private but visible
within this module) over the existing FakeBigReader avoids a real 256 MiB
backing file for the boundary case.
2026-08-01 16:04:03 -07:00
Matthew Jackson dd5118ee9c Pin per-track handler routing, PID arithmetic and the shared sample budget
Nothing asserted that a hdlr other than vide/soun gets dropped rather than
folded into the audio branch, that the per-track PID formulas
(0x1011/0x1100 + track_idx) use the right operator and the right operand,
that a sample-less track still advances track_idx for the next one, or that
the cross-track sample_budget is actually decremented (as opposed to grown or
divided) by each track's real count. All four were reachable with a single
track_idx == 0, which made every existing fixture blind to +/-/* confusion on
these sites - track_idx never moved past 0 in any of them.

Also let audio_trak_missing omit stsz, needed to build a sample-less track for
the track_idx test.
2026-08-01 15:59:53 -07:00
Matthew Jackson a8db2435cd Pin elst byte-offset decoding and a zero-timescale boundary in elst_offset_ticks
parse_elst's existing tests used segment_duration/media_time values that were
almost all zero or 0xFF bytes, so an index slip in the version-1 byte
extraction (reading a neighbouring byte, or one outside the entry entirely)
could return the same value by coincidence and the test wouldn't notice. Added
a fixture with every byte distinct and nonzero so any wrong offset is caught.

elst_offset_ticks's `empty_movie_ticks > 0` guard on the Some(mts) arm looked
like a pure optimisation, but shifting its boundary lets an
empty_movie_ticks == 0 call fall into the division instead of skipping it -
and a zero movie timescale (unreachable through from_reader, which filters it,
but not through this function's own contract) makes that division panic.
Pinned the boundary directly so the function stays safe on its own terms.

Documented nine further mutants as equivalent rather than chasing them:
media_edits/odd_rate and the None-arm's empty_movie_ticks check only gate a
tracing::warn!, never the returned offset, and parse_elst's b.len() < 8 vs
<= 8 boundary computes the same empty Vec either way once available = 0 is
worked through. Confirmed by re-running each mutation against the full test
suite.
2026-08-01 15:54:24 -07:00
Matthew Jackson ff18d4c3c8 Close the MEDIUM mutation gaps across transport, labels and codecs
The remaining triage items after tonight's HIGH fixes: 1,290 lines, almost
all tests. Covers disc/mod.rs's DVD scan path (with real minimal VMG/VTS IFO
fixtures rather than mocks), drive/mod.rs, labels/class_reader.rs and
labels/mod.rs — the two biggest untriaged survivor clusters in the crate —
plus hevc.rs and ps.rs.

One production change, and it is an extraction rather than a behaviour
change: MacScsiTransport::open mapped the shim's negative failure sentinels
to typed errors inline, where nothing could reach it without a real IOKit
FFI call. It is now map_shim_open_error, so the mapping can be pinned. It
matters because collapsing -5 into the DeviceNotFound catch-all turns
"another process holds the drive" into "no such drive", and an operator
chasing the wrong problem is worse than a blunt error.

Gate green on the pinned toolchain including the secrets scanner.
2026-08-01 15:00:01 -07:00
Matthew Jackson f8ed0b99f4 Pin read_moov's box-size boundaries and MAX_ALLOC_BYTES exactly
read_moov's forward-progress guard (box_size < header_len, OR'd with the
EOF check) and the MAX_ALLOC_BYTES cap were only exercised on inputs well
away from their boundaries, so a mutation testing pass found the exact
edges unasserted: a size-8 (header-only) moov, a box that overruns the
file by exactly the amount the OR/AND distinction can see, and a payload
of precisely MAX_ALLOC_BYTES. Added a shared FakeBigReader (lifted out of
an existing test's local struct so a new test can reuse it) to exercise
the MAX_ALLOC_BYTES boundary without a multi-hundred-MiB backing file.
2026-08-01 14:39:39 -07:00
Matthew Jackson 8189da1b0c Document why audio.rs's bit-packing | mutants are equivalent
Every mutation-testing survivor in this file is a | with ^ flip inside a
bitstream packer: BitReader::read's accumulate step, the push closures in
dac3_box/dec3_box/ddts_box, and the multi-field extractions in parse_eac3
and parse_dts. All nine are the same shape: shift an accumulator left by
exactly the width of the next field, then OR it in, so the two operands
never share a set bit and | and ^ agree on every input. Confirmed by
running cargo-mutants against just these nine mutations after the existing
test suite (which already exercises each function's field values) - all
nine still survive, as expected for a genuinely equivalent mutant. Recorded
the reasoning once at BitReader::read so nobody spends time chasing it
site by site.
2026-08-01 14:24:47 -07:00
Matthew Jackson 698ba36ae4 Document the pack_language and detect_rate equivalent mutants
Three pack_language mutants and two detect_rate boundary mutants survive
mutation testing with no test able to close them, and it's not for lack
of trying: they're equivalent by construction. Recording the proofs next
to the code so nobody re-chases them:

- (b[0] - 0x60) as u16, shifted << 10 then truncated to u16, is congruent
  mod 65536 to (b[0] + 0x60) as u16 shifted the same way, because
  0x60 * 2 * 1024 is an exact multiple of 65536. The same swap on the
  second letter (shifted only << 5) is NOT equivalent, which is why only
  the first letter's mutant survives.
- The two | with ^ mutations that OR the three packed fields together
  are equivalent because the fields (a lowercase letter minus 0x60, so
  1..=26) always fit in 5 bits and never share a set bit once shifted
  into their 0/5/10 positions.
- detect_rate's tolerance and tie-break comparisons only diverge from
  their <= mutants on an exact 0.5 fps distance or an exact tie, and a
  brute-force search over every achievable integer-nanosecond median
  found no case that lands on either boundary bit-exactly.
2026-08-01 14:20:13 -07:00
Matthew Jackson 1eb8bdc9c7 Merge branch 'mux-mp4' into dev 2026-08-01 14:06:24 -07:00
Matthew Jackson 90a7fe2ff1 Assert the MP4 timing arithmetic, and name the faststart slack rule
MP4 track timing was numerically unasserted. Every operator in the
PTS-to-ticks, duration, tkhd_dur and ctts chain could be flipped and the
whole suite stayed green, because no test decoded an output file and checked
a concrete number — the existing tests assert box presence and gross
container shape only. That is the crate's worst failure mode: a title muxes
"successfully" with silently wrong A/V sync or total duration, and nothing
above can tell.

The new tests build tracks with known PTS deltas and compare the emitted
stts, ctts and tkhd.duration against computed values.

Also lifted the faststart slack rule out of the match guard into
faststart_fits(). A leftover hole of 1-7 bytes cannot be expressed as any
ISO-BMFF box, since a box header is 8 bytes, so finish() must fall back to
moov-at-end rather than write a free box that lies about its own size. The
condition now has a name and a test instead of being an unexplained
`g == 0 || g >= 8` inside a pattern guard.
2026-08-01 14:06:16 -07:00
Matthew Jackson 1b95d346bb Cite the H.264 spec directly, not a reference implementation
The escape-stripper comments named a third-party decoder as the authority
for the cumulative-zero rule. This repo is public and does not cite other
implementations; the rule is specified in ITU-T H.264 §7.3.1, which is the
citation that belongs here anyway.

No behaviour change — comments only. The scan-secrets gate caught it.
2026-08-01 13:49:47 -07:00
Matthew Jackson 48663c6a2f Merge branch 'mux-codec' into dev 2026-08-01 13:47:15 -07:00
Matthew Jackson a05f1d4498 Merge branch 'mux-mkv' into dev 2026-08-01 13:45:04 -07:00
Matthew Jackson 3ecb2510e8 Assert what the MKV mux and demux actually produce
A mutation run over mux/mkv.rs and mux/mkvstream.rs left 148 survivors.
Reading them turned up no wrong code, but a lot of code whose output
nothing ever looked at. Most of that is on the read side: parse_track
had a dedicated arm for Language, TrackName, FlagForced, Video and
Channels and not one of them was checked, so a re-mux could have lost
the audio language, the subtitle forced flag, every track label, the
resolution and the channel layout with the suite still green. Ten of
the eleven CodecID comparisons were unasserted too — only HEVC was
pinned — so any of them could have been mis-wired and the stream would
have gone to the wrong parser. The round-trip test now writes a real
three-track title through the muxer and reads it back through the
reader, and a separate test walks every registered CodecID.

The BPS statistics tag was the worst of the write side. Its test
asserted `file_bytes.contains("800")`, which a wrong bitrate passes
trivially — 80000 contains "800". Both the tag and the back-patched
Segment duration are now decoded and compared to a computed number, on
a title that declares no duration so the whole max_block_ticks →
seconds → bits chain is exercised. Cue points get the same treatment:
their CueTrack and CueClusterPosition were never read back, on either
the keyframe path or the i16-forced-split path, which are two hand-
written copies of the same three fields.

The rest closes arithmetic that only a bad disc reaches: a zero frame
rate or zero display-aspect denominator (both divisions), a
TimestampScale that does not fit an i64, a cluster timestamp of exactly
i64::MAX, a TrackNumber of 65537 that truncates onto the valid track 1,
and the shortest legal Block at both VINT widths. Two tests separate a
clean end of stream from a device failure: swallowing the second one
truncates the output at a bad sector and reports the rip complete.

Also pinned: only the first video and first audio track may be default
(the de-duplication lives in MkvStream::create and had no test at all),
the activation trigger is the first VIDEO track rather than track 0,
the measured field order reaches the file rather than just the helper
that computes it, and a Blu-ray 3D base/dependent pair builds the merge
instead of shipping two unrelated H.264 tracks.

96 of the 148 mutants verified killed by hand. Of the remainder, most
are equivalent — disjoint-bit `|` that `^` cannot change, delete-arm
mutants whose fallback is the same constant, guards on tracing calls —
and the write_frame branch at 1452 is unreachable: a cluster is always
open by the time it can be entered.
2026-08-01 13:44:08 -07:00